The Chi and Boost's bad guy Ntare Guma Mbaho Mwine: 'Not African enough?'
Original-Cin Q&A: Ex Machina/Annihilation director Alex Garland writes his own career arc
By Bonnie Laufer
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Original-Cin Q&A: Director Jeff Malmberg on the Convergence of Trauma, Ritual and Art
Original-Cin Q&A: Chilean Oscar nom, LGBT-themed A Fantastic Woman
By Bonnie Laufer
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'Holy hand grenades!' How the Flashback Film Festival's Holy Grail found its groove
Original-Cin Q&A: Was Helter Skelter a hoax? Manson doc director says yes
Original-Cin Q&A: Annette Bening and Jamie Bell on why Film Stars (Really and Truly) Don’t Die in Liverpool
Original-Cin Q&A Birdland: Peter Lynch on quitting docs and going noir
Original-Cin Review/Q&A: Happy End's Michael Haneke is one twisted mister
Original-Cin Q&A: Christian Bale learns Cheyenne and life lessons on Hostiles
By Bonnie Laufer
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Q&A: How Ridley Scott and Christopher Plummer performed a Spacey-ectomy
By Bonnie Laufer
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Q&A/review Call Me By Your Name: How Armie Hammer got used to being naked
The Shape of Water: Guillermo Del Toro’s Epic (and Wet) Love Story Freestyles to Brilliance
By Bonnie Laufer
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The Disaster Artist: Life on 'Planet Tommy' (Wiseau)
Original-Cin Q&A: Animated Afghan empowerment story, The Breadwinner
Q&A, Bharat Nalluri: Dickens liked Christmas, religion not so much
Q&A: Joachim Trier on Freud, Jung, punk roots and his supernatural thriller Thelma
By Karen Gordon
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Original-Cin Q&A: Two movies in, Jacob Tremblay's still a small Wonder
By Bonnie Laufer
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Interview: 'Socialite-turned-filmmaker' Maggie Betts ponders 'marriage to God' in Novitiate
Beanie Feldstein Q&A: Lady Bird scene-stealer, Jonah Hill's sis, on luck, love and family
By Bonnie Laufer
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