The Alto Knights: Robert De Niro Plays Antagonists in a Mafia Film That Lacks Spark
By Karen Gordon
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Can I Get a Witness?: 50 Is The New Life Expectancy
By Chris Knight
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ReviewJim SlotekCan I Get a Witness?, TIFF 24, Ann Marie Fleming, Sandra Oh, Joel Oulette, Keira Jang, Canadian, sci-fi, Drama, Dystopian stories
Boiling Point: An English Kitchen Drama with Social Bite
ReviewJim SlotekBoiling Point, BBC, TV series, Kitchen, Philip Barantini, Mounia Akl, Vinette Robinson, Stephen Graham, Hannah Walters, Ray Panthaki, Super Channel, British, Drama
Last Breath: Deeper Dive into Character Would Have Made Drama Stronger
Original-Cin Q&A: Armand Star Renate Reinsve on the Importance of Laughter in Drama
By Bonnie Laufer
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Bring Them Down: B-a-a-a-d Times in Rural Ireland
ReviewJim SlotekBring Them Down, TIFF 24, Drama, Movies set in Ireland, Christopher Andrews, Christopher Abbott, Barry Keoghan, Paul Ready, Nora-Jane Noone, Violent, Family drama
Look At Me: A Portrait of The Artist as An Insecure Man
By Chris Knight
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I’m Still Here: Fernanda Torres Shines as a Mother Fighting for Her Family
ReviewJim SlotekI’m Still Here, TIFF 24, Brazilian, Walter Salles, Marcelo Rubens Paiva, Fernanda Torres, Fernanda Montenegro, Adaptation, Drama, Oscar nominee
Nightbitch: Snarling at Motherhood with Amy Adams
ReviewJim SlotekNightbitch, Adaptation, Marielle Heller, Rachel Yoder, TIFF 24, Amy Adams, Scoot McNairy, Jessica Harper, Motherhood, Drama, Fantasy
The Room Next Door: Swinton and Moore in Almodóvar’s Exploration of Death by Design
The End: A Post-Apocalyptic Drama Wrapped in A Musical
By Chris Knight
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Oh, Canada: Richard Gere Stars as A Filmmaker On His Deathbed, Re-Editing His Past
ReviewJim SlotekOh, Canada, Paul Schrader, Richard Gere, Uma Thurman, Jacob Elordi, Michael Imperioli, Russell Banks, Adaptation, Cannes, TIFF 24, Drama, End of life issues
The Return: Fiennes and Binoche Reunite in an Ancient Tale with Modern Resonance
By Karen Gordon
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ReviewJim SlotekThe Return, Uberto Pasolini, Ralph Fiennes, Juliette Binoche, Charlie Plummer, TIFF 24, Greek mythology, Odysseus, Drama, Historical film, Ancient times, Ancient Greece
The Girl With The Needle: Post-WWI Drama Lays Bare The Precarious Lives of Women
ReviewJim SlotekThe Girl with The Needle, TIFF 24, Magnus von Horn, Line Langebek Knudsen, Vic Carmen Sonne, Trine Dyrholm, Besir Zeciri, Joachim Fjelstrup, Danish, Drama, WWI, Black and white, Women's issues, Women in peril, Women's lives
Drive Back Home: Goin’ Down the Road in Reverse Meets Green Book
ReviewJim SlotekDrive Back Home, Michael Clowater, Alan Cumming, Charlie Creed-Miles, Claire Coulter, Guy Sprung, Canadian director, Canadian, Drama, Comedy, 1970s, Hayden Desser, Themes of homosexuality
The Heirloom: When Adopting a Dog Leads to Messes of Many Kinds
ReviewJim SlotekThe Heirloom, Ben Petrie, Grace Glowicki, Cheers, Toronto filmmaker, Toronto story, Canadian film, Drama, Comedy, Films with dogs, Relationship dramas
All The Lost Ones: Yet Another Canadian Post-Apocalyptic Drama? Excellent!
By Chris Knight
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ReviewJim SlotekAll the Lost Ones, Mackenzie Donaldson, Jasmine Mathews, Vinessa Antoine, Douglas Smith, Canadian, post-apocalypse, Environmental issues, Environmental horror, War, Drama, Sci fi
Starring Jerry as Himself: Docudrama Spotlights Elder Abuse of a Grimly Common Sort
ReviewJim SlotekStarring Jerry as Himself, Drama, Documentary, Docudrama, Law Chen, Jerry Hsu, Kathy Hsu, Joshua Hsu, Jesse Hsu, Jonathan Hsu, Elder abuse, Scams, Fraud
Small Things Like These: Drama About Morality, Responsibility Soars On Cillian Murphy
By Karen Gordon
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ReviewJim SlotekSmall Things Like These, Tim Mielants, Enda Walsh, Adaptation, Irish films, Cillian Murphy, Emily Watson, Zara Devlin, Eileen Walsh, Drama, Catholic church
Original-Cin Q&A: Hugh Grant’s Heretic Directors Talk About… Hugh Grant
By Chris Knight
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